Calculate The Mean Median Fashion Mean And Mean Geometrica Ghana Life: Men’s Dress

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Ghana Life: Men’s Dress

Ghana shares with many developing countries a situation where its indigenous culture has been overwhelmed by an influx of practices and lifestyles that were once called Western and are now international. Ghanaian culture is very rich and in many areas it continues to hold its ground, but in the second half of the twentieth century it struggled to survive in the field of clothing in general, and in men’s clothing in particular. In this situation, one has to look beyond the cities and beyond the daily activities of work and routine home life, to find places and occasions where the glories of the past are still revealed.

In government ministries and business offices in Accra and Kumasi, well-tailored western suits are standard attire. Ties stay on even where they’ve been abandoned in cooler climes. This style of dress has survived the era of the electric fan and flourished in the age of the air conditioner. When this fit class ventures out of its temperature-controlled environment, it is often seen in light tropical cotton suits such as worn by the former colonial masters. Lower-ranking men who populate the offices, acting as secretaries, typists and accounting assistants, uniformly wear trousers and open-necked cotton shirts, while those who work outside as petty traders, artisans and laborers have universally adopted the T-shirt as a complement . their long trousers and rubber sandals (kyale wate).

Despite the tropical climate, shorts are relatively rare. Although shorts are part of the standard school uniform, they are abandoned at graduation. A few businessmen wear a knee-baring version of the tropical suit, and this is a fashion that seems to be growing in popularity. Some peasants and laborers expose not only bare knees, but also bare backs, in a situation induced by sun and poverty; clothes that are not used tend to stay fresh and clean longer. The torn pants and faded T-shirt are almost certainly bought as used clothes from abroad, Oboroni wawu (the white person is dead or dead men’s clothes), but they are still expensive for most people to buy.

Men’s traditional dress in southern and central Ghana consists of a large cloth wrapped around the body and draped over the left shoulder, similar to an ancient Greek or Roman toga. In the cities this dress is worn only at funerals and special ceremonies. It is not practical for vigorous pursuits, as it has no fixation devices and constantly falls from the shoulder. Even when sitting for long periods at a funeral, users often tire of changing the cloth and leave it folded in their lap. This was undoubtedly the reason why the fabric has been abandoned for everyday use, in favor of shirts and trousers.

Men’s cloths are made from a wide variety of different materials, but the true traditional garment, the famous Kente cloth, remains the most prized and most men aspire to own one. Woven in 4 inch (10 cm) strips on a narrow loom by the nimble fingers of young weavers, the finished cloth is 12 to 13 feet (3 meters) long. It consists of 23 or 24 strips sewn together, giving a width of about 8 feet (2.4 meters) and a weight of about 7 pounds (3 kg). The original Ashanti Kenti is most often woven in bright primary colors such as red, yellow, green and blue in complex geometric patterns, each with a name and meaning. For example, one design was specially woven for Ghana’s first Prime Minister and President, Kwame Nkrumah, and another was created to celebrate a visit to Ghana by Queen Elizabeth II. Kente cloth is also produced by Ewe weavers in the Volta region, and Ewe Kente is characterized by its more muted colors and the use of pale greens, browns and fauns.

The quality of a man’s clothes indicates his social status. The highest quality Kente cloth is called ‘double pick, double weave’ and remains the most sought after status symbol with a price far beyond the reach of the average man. In an attempt to provide a more affordable cloth, some of the simpler single-weave patterns are produced on wide looms in 3-foot (1 meter) wide strips. It only requires three strips to be sewn together for a man’s cloth, the lower price is to keep the traditional dress in wider use. Much of the expensive, narrow Kente weave is sold to tourists in a variety of forms, e.g. made up for bow ties and handbags.

The tribes of northern Ghana also have their traditional dress. In many cases this consists of a long smock, called Batakari, worn with long trousers, all made of narrowly woven fabric of simple striped patterns in muted light grays and blacks. This dress is worn with a matching small round fold over hat and knee length leather boots. Other northern tribes have adopted the Arab dress of long white robes and leather sandals. This mode of dress has proven to be more resistant to change and is seen worn by northerners of higher status in all parts of Ghana. Those of lower status who have to toil for their daily bread have taken trousers and T-shirts to themselves in the remote northern towns and villages.

The sartorial situation described above relates mostly to the late twentieth century, but the new century and the millennium have so far brought little change. Fashion, especially in clothing, can be subject to rapid change as restless youth strive to differentiate themselves from their ancestors. In the 1990s, there were signs of a serious fashion industry developing in Accra, first in womenswear, but in an age where boys are joining the girls’ game, new men’s fashion will no doubt follow. Hopefully the changes will affect everyday and casual wear, leaving the magnificent Kente cloth to dominate the scene at every funeral.

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