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Wedding Dresses – 5 Hot New Wedding Dress Designers You Need to Know
In the world of wedding fashion, your name is your trademark. From one-of-a-kind couture gowns to fresh ready-to-wear styles, these five up-and-coming designers represent the next class of high-style designer names to remember. Move over Mrs. Wang…
The Island Fashionista – Tamara Catz
Looking out from the picture window of her oceanfront studio on the island of Maui, it’s easy for Tamara Catz to understand that a sweaty, satin-and-tulle-shrouded bride is not a good look for a beach wedding. Instead, she envisions the kind of dress that can “make a girl want to walk barefoot in the sand with the man of her dreams—flowing, feminine, simple.” Catz, 36, modeled her line of romantic, bohemian-style wedding dresses after her breezy sensibilities.
The Buenos Aires native spent seven years creating contemporary holiday wear before feeling the artistic urge to venture into the world of bridal wear in 2007. “A wedding dress is probably the most special garment a woman will ever wear, so I knew , that my bridal designs could be a little more dreamy and unique than those for my everyday clothes,” says the 36-year-old. The Hawaiian-inspired designs feature relaxed feminine shapes, simple cuts and organic accents like shells. Instead of overpowering the bride, Catz’s simple silhouettes and light, flowing fabrics make a woman feel like herself, something she believes, “the traditional Cinderella-like wedding dress doesn’t always do.” Of course, they’re most at home as alternative style beach wedding dresses, and many are even versatile enough to wear after the wedding. Best of all for that special day though, a Catz design can feel as refreshing as sand between your toes.
The Custom Duo – Miosa Bride
“Miosa” combines two names: Michael and Sanea Sommerfield. Miosa Bride combines two visions: a husband and a wife to create the highest quality couture in a surprising location. Based in Sacramento, Calif., Sanea, 42, brings her business expertise and insight into the female psyche, while Michael, 46, draws on experience sewing outdoor clothing in his father’s shop and running a tailor shop in Sacramento. “Sewing is like breathing for him,” gushes Sanea. “I’m still amazed most of the time by his understanding and knowledge.”
The decision to stay in Sacramento, despite a ZIP code lacking an overt couture culture, was in part an effort to bring high style to the capital, but it was also a personal one. “We had four children and didn’t want to move the family,” explains Sanea. “Family comes first, so we had to build a business that could work here.” Their exquisite fabrics and design techniques have earned them a local following, and now that the kids are grown, the duo plans to take the brand nationally this year.
The consultation phase is an integral component of the process of creating their dresses. The team takes detailed measurements to draw an initial pattern that accurately mimics the bride’s body in terms of her comfort level. They then gather information about her and her wedding so they can weave her personality into the dress, whether it’s soft fabrics for a romantic or a daring silhouette for a sophisticated. Pieces of the dress are then individually cut and sewn in-house, often using 100 percent silk fabrics imported from Europe. The result is a couture dress inspired by the natural aesthetics of the woman who wears it.
The Green Pioneer – Deborah Lindquist
Deborah Lindquist raised a few eyebrows when, in 1983, she launched a daywear line made entirely from recycled materials, long before the terms “eco” and “green” had been coined. Raised on a farm in Willmar Minnesota, surrounded by gardens, orchards and cornfields, Lindquist was 5 years old when her grandmother taught her to sew. “Life on the farm sparked my respect for the earth and I knew that if I was going to make an impact in the fashion world, I would have to do it in a way that stayed true to my love for the environment,” says the 52-year-old .
Lindquist highlighted a 2005 fashion show featuring a wedding dress made from hemp that sparked national interest — from brides reading about it on blogs to a USA today article on aid to agriculture that contained it. So in 2007, Deborah launched a green wedding collection made entirely from recycled materials, hemp blends and soy silk.
If the idea of wearing hemp conjures up thoughts of scratchy ill-fitting clothing, brides can rest assured that these luxurious, highly stylized gowns are more suited to a walk down the red carpet than a walk up the Haight-Ashbury. Lindquist’s dresses have a romantic, feminine feel with a little edge. Detailed lace, beaded ribbons and ribbons adorn her creations with an air of elegance, while flirty bustiers and corsets provide a cutting-edge aesthetic. In an era where it’s oh-so-stylish to green your wedding, her designs allow you to carry the environmental commitment—and look good every step of the way.
The Southern Belle – Suzanne Perron
A fashion designer rooted in a culture of debutantes, oversized weddings and Mardi Gras queens seems somehow destined to create magnificent white ball gowns imbued with timeless elegance. For New Orleans native Suzanne Perron, that ambition took root when she received her first sewing machine from the Easter Bunny when she was 5 years old. “I dreamed of creating beautiful romantic wedding dresses that reflected the traditional aesthetic of this beautiful historic city,” she recalls.
First, however, she had to learn her craft by studying under Carolina Herrera, Ana Sui and Vera Wang in New York City. Thirteen years later, a homesick Perron returned to New Orleans to set up her bridal boutique.
Suzanne’s design is clearly inspired by the city’s distinctive culture and famous architecture. On her dresses you will find pin tucking that imitates a fluted column on a St. Charles mansion or beadwork inspired by the intricate filigree and plaster work that finishes door frames and ceilings throughout the city.
She admits that she is “not looking to be fashion-forward” and instead describes her designs as “once in a lifetime dresses in white and ivory”, despite the many stylists and editors who insist that color is a vogue. It’s a natural association for a designer who continues to make a name for himself in a city where tradition is preserved and celebrated.
The Embellishment Artiste – Mariana Leung
For Mariana Leung, it is the smallest detail of the wedding dress that gives the greatest self-expression. “I love that my imagination can run wild with embroidery as I can adapt an embellishment to a woman of any shape, size, taste and budget,” she explains, “no other aspect of a wedding dress offers such freedom.” Leung has channeled that creative streak since childhood, when her father convinced her she was talented enough to make her own clothes. “Every time I asked for an outfit in a shop window, he replied that I could make a better version of it myself,” she recalls.
Leung honed these skills by designing couture embroidery for the bridal industry’s top houses – Monique Lhullier, Vera Wang and Giorgio Armani. “Bride was the perfect fit because it’s the one outfit bought on emotion rather than practicality, which leaves more room for creativity,” says the 34-year-old. Now she conveys that experience in her own dresses, conceptualized and built around an intricate embroidery pattern. Most of her brides bring a motif to incorporate, such as the detailing of an heirloom piece of jewelry or a pattern from a grandmother’s wedding dress. Others read Leung’s “look book” of embroidery designs for inspiration.
For such a personal, hands-on experience, Leung has a surprising number of out-of-town clients. For one project, a bride emailed a photo of flowers from her family’s backyard, and Mariana designed a bolero jacket with fabric appliqués inspired by the flowers that the bride could wear over the very basic dress she had already purchased. “The project showed that customization and luxury can be affordable,” she says, “you just have to be a little creative.”
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